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Charles Cullen is by certain evaluations the most productive serial killer in American history.
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However, when Krysty Wilson-Cairns started composing the content about his catch,
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she began not with Cullen, who was condemned to successive life sentences in 2006,
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however, outside the home of Amy Loughren, the medical caretaker who originally revealed his wrongdoings.
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"I turned up at the genuine Amy's home in upstate New York," Wilson-Cairns, the Scottish screenwriter, recalls
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"I assume I was 23 or 24. I was like: 'I've never done this. It means a lot to me. It's your biography. Might you at any point help me?'"
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"The Good Nurse" which debuts Wednesday on Netflix, adopts a purposely unique strategy to the genuine wrongdoing thrill ride.
The narrative of Cullen, who conceded killing 29 casualties yet is accepted to have killed in excess of 300 medical clinic patients
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while filling in as a medical attendant in New Jersey and Pennsylvania,
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could undoubtedly be the sort of dramatist sequential serial killer stories that populate real time features.
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